Vicky Jenson, a prominent figure in animation, is once again breathing life into the enchanting world of fairy tales with her latest venture, “Spellbound,” streaming on Netflix. Her affection for the genre began in childhood, drawn particularly to the darker narratives that delve into complex emotions and existential struggles. “I loved fairy tales as a kid,” Jenson recalls. Her admiration for intricate storytelling has evidently shaped her creative journey, which notably includes co-directing the iconic animated film “Shrek.”
Jenson’s background in animation is robust and diverse. She started as a cell painter, gaining essential skills that eventually led her into greater roles within the industry. Her experience on projects like “The Smurfs” and “He-Man and the Masters of the Universe” proved invaluable, laying a foundation for her future endeavors. Jenson reflects on this transformative period, noting that her transition to storyboarding and art direction sparked her interest in a directorial career. “I jumped a lot between art directing and storyboarding,” she reveals, highlighting the eclectic paths that led her to a directorial role.
“Spellbound” is not merely a reimagining of familiar fairy tale tropes; it is a contemporary allegory infused with modern themes. The narrative follows Ellian, the courageous daughter of Lumbria’s rulers, who embarks on an epic quest to rescue her enchanted parents from a sinister spell. Unlike traditional fairy tales that often position a prince as the hero, “Spellbound” flips the script by placing the princess at the forefront of the heroic narrative. Jenson emphasizes this modern twist, stating, “This movie is more of a fairy tale take on a very modern story.”
Throughout her journey, Ellian embodies resilience and self-discovery. Her adventures not only encompass physical challenges but also emotional revelations. As she navigates the complexities of her family dynamic, viewers are reminded that change is a natural part of life, and sometimes the path toward personal growth strays from the innocence of childhood. As Jenson eloquently puts it, “Fairy tales define through allegory, truths about the many different stages of being a human.”
Central to the success of “Spellbound” is its cast, led by the talented Rachel Zegler as Ellian. Jenson describes Zegler as a discovery in the early stages of production, citing her amazing singing talent and professionalism. The film’s casting reflects Jenson’s commitment to representing diverse narratives and characters. She expresses a belief that “the world of Spellbound should be colorful,” emphasizing a broad range of human experiences that resonate with audiences globally.
Joining Zegler is an illustrious ensemble, featuring John Lithgow, Nicole Kidman, Javier Bardem, and an array of other noteworthy actors, all lending their voices to bring the characters to life. The animation process is intricately tied to the actors’ performances, as Jenson explains, “We don’t animate first and then do the ADR on top. It’s their performance that leads the animators.” This unique approach infuses authenticity into the film, ensuring that the animated figures truly embody the personalities of their voice actors.
An unexpected yet delightful aspect of “Spellbound” is its musical component, crafted by the legendary Alan Menken, known for his work on Disney classics. Initially, Jenson did not foresee “Spellbound” as a musical project. It was only during early development that the conversation shifted, leading to the incorporation of songs that complement the film’s emotional core. This spontaneity enriched the storytelling experience and allowed the music to evolve alongside the narrative.
Jenson joyfully notes, “When the feelings are too big to speak, you sing, and the feelings in this movie are really big!” This connection between music and emotion is distinctive, adding a multi-layered dimension to Ellian’s story, which is steeped in adventure and familial bonds.
Ultimately, “Spellbound” seeks to foster open conversations about the complexities of family structures and love. Jenson aims for the film to resonate with viewers by prompting discussions about what it means to be a family amidst challenges and changing dynamics. “It’s really love that is the spell that holds us all together, no matter what that family looks like,” she asserts.
With its modern perspective on fairy tales, “Spellbound” stands poised to engage audiences in a heartfelt exploration of themes that are both timeless and relevant. In a landscape that often recycles narratives, Jenson’s work reminds us of the power of fresh storytelling infused with authenticity, creativity, and heart. The film emerges not just as entertainment but as a reflection of the intricate tapestry that binds us all together—love, resilience, and the journey of growth.