Reviews

The latest installment in the storied Alien series, directed by Fede Alvarez, endeavours to recapture the gripping horror that made the original 1979 film a classic. Following the divisive responses to Ridley Scott’s recent prequels, there has been a palpable longing among fans for a return to the series’ more chilling and straightforward narrative style.
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From the very onset of “Strange Darling,” viewers are thrust into an unsettling experience that challenges typical storytelling conventions. The film opens with a chilling exchange between a character known as The Lady and her pursuer, The Demon, setting a tone steeped in apprehension. The audacity of the question, “Are you a serial killer?” immediately
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“Broken Bird,” directed by Joanne Mitchell, opens with a strikingly morbid visual: a lifeless bird displayed starkly against a blurred backdrop, swiftly picked up by Sybil Chamberlain, a character who is as intricate as the dead creature she handles. Portrayed by Rebecca Calder, Sybil inhabits a world marked by her unique hobbies and professional responsibilities—embracing
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The existential question of whether humanity is alone in the universe resonates deeply, prompting a spectrum of emotions from wonder to terror. This inquiry is poignantly encapsulated in Josephine Rose’s feature debut, “Touchdown,” which begins with an impactful quote from Arthur C. Clarke that sets the thematic tone for the film. As we enter a
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Buddy Cooper and John S. Douglass’ film, *The Mutilator*, first made its appearance in North Carolina in January 1984 under the title *Fall Break*. The film was eventually rebranded later that same year, though irony draped itself over this rebranding process; the Motion Picture Association of America (MPAA) played a significant role, demanding edits from
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