Yoshitaka Amano, a force in the realms of visual art and design, is set to have his career recognized in a landmark retrospective, ‘Amano Corpus Animae,’ planned for Milan from November 13, 2024, to March 1, 2025. This exhibition marks an extraordinary milestone, celebrating 50 years of rich creativity through more than 120 original pieces
Events
The cinematic landscape is once again enriched by Ant Timpson’s latest feature, “Bookworm,” which made its world premiere at Fantasia 2024 on July 18. With its combination of humor, adventure, and emotional resonance, the film promises to engage audiences of all ages. At the heart of the narrative is a dynamic relationship between an 11-year-old
Dark Match, directed by the talented Lowell Dean, made a striking entrance into the film landscape at Fantasia 2024, providing audiences with a unique blend of professional wrestling, horror, and the intricacies of personal struggle. At its core, the film embodies a captivating tension between the theatrical qualities inherent in pro wrestling and the raw
In contemporary culture, few experiences rival the gripping allure of media that resonates deeply with its audience. It sparks an obsession that transcends mere entertainment, creating a profound connection with viewers, often at the expense of their emotional and psychological well-being. This phenomenon is encapsulated perfectly in Jane Shoenbrun’s film, “I Saw The TV Glow,”
The exploration of time and love has long been a captivating theme in cinema, and Alice Lowe’s *Timestalker* presents a unique take on this relationship. With a narrative that transcends multiple eras and intertwines the lives of its characters across time, the film provocatively interrogates notions of desire and the often destructive patterns it engenders.
*Strange Darling*, directed by JT Mollner and showcased at the prestigious FrightFest horror festival, ventures into the murky waters of human emotion and moral ambiguity through the lens of a serial killer’s twisted love life. The film employs a fragmented narrative structure, unfolding over six non-sequential chapters. This innovative storytelling technique challenges traditional linear narratives
Parker Brennon’s horror anthology, *Hauntology*, expertly weaves the themes of fear, identity, and memory into a chilling tapestry of narratives. The film centers around Jazmin and her younger sibling, Venus, capturing their experiences as they venture through their hometown in Ohio. Each location they visit reveals unique ghost stories, embodying individual perspectives that resonate with
Coralie Fargeat’s provocative body horror film, *The Substance*, serves as a surreal and brutal commentary on the unrealistic beauty standards perpetuated by Hollywood and society at large. At the heart of the story is Elisabeth Sparkle, an ageing aerobics instructor played with fierce intensity by Demi Moore. As Elisabeth grapples with her fading celebrity status
“Cursed in Baja,” directed by Jeff Daniel Phillips, presents itself as a haunting exploration of a man grappling with his turbulent past and the dark forces that intertwine with it. The film begins ominously with a prison guard leading the protagonist, Pirelli, played by Phillips himself, to what one might assume is his execution. However,
In the chilling opening of “Shelby Oaks,” we are introduced to protagonist Riley Brennan, portrayed by Sarah Durn, who articulates a profound sense of dread: “I’m not safe in here; I feel like I’m being watched.” This line not only sets the emotional tone for the film but also creates a stark contrast between what