After two decades since the beloved original *Hellboy*, the franchise is making yet another attempt to capture the audience’s imagination with *Hellboy: The Crooked Man*. Directed by Brian Taylor, known for his audacious work on *Crank*, the film serves not only as a continuation of the Hellboy narrative but also a profound homage to its
Reviews
The leap from video games to film is a treacherous journey that many have attempted but only a few have traversed successfully. While some adaptations, like *The Last of Us* and *Sonic the Hedgehog*, have been met with acclaim, the majority end up as forgettable flops. The new release, *Borderlands*, directed by Eli Roth, unfortunately
The legacy of the Mad Max franchise continues to evolve, inviting audiences to explore the intricacies of its characters in a fresh light. The latest installment centers on the formidable figure of Imperator Furiosa, portrayed with depth by Anya Taylor-Joy, who presents a compelling origin story that balances intense action with poignant themes. While the
In the realm of contemporary literature, few collaborations provoke curiosity quite like that of Keanu Reeves and China Miéville’s **The Book of Elsewhere**. This novel serves as an exploration of themes often relegated to the peripheries of mainstream storytelling—immortality, warfare, and existential crises. At its core, the narrative weaves a rich tapestry devoid of genre
In the realm of contemporary horror, “You’re Next” stands out as a remarkable fusion of dark comedy and thrilling suspense. This film marks a significant transition for director Adam Wingard and writer Simon Barrett from their previous bleak narratives. While “A Horrible Way to Die” left audiences grappling with despair, “You’re Next” brings a refreshing
Coralie Fargeat’s provocative body horror film, *The Substance*, serves as a surreal and brutal commentary on the unrealistic beauty standards perpetuated by Hollywood and society at large. At the heart of the story is Elisabeth Sparkle, an ageing aerobics instructor played with fierce intensity by Demi Moore. As Elisabeth grapples with her fading celebrity status
“Cursed in Baja,” directed by Jeff Daniel Phillips, presents itself as a haunting exploration of a man grappling with his turbulent past and the dark forces that intertwine with it. The film begins ominously with a prison guard leading the protagonist, Pirelli, played by Phillips himself, to what one might assume is his execution. However,
In the chilling opening of “Shelby Oaks,” we are introduced to protagonist Riley Brennan, portrayed by Sarah Durn, who articulates a profound sense of dread: “I’m not safe in here; I feel like I’m being watched.” This line not only sets the emotional tone for the film but also creates a stark contrast between what
The latest installment in the storied Alien series, directed by Fede Alvarez, endeavours to recapture the gripping horror that made the original 1979 film a classic. Following the divisive responses to Ridley Scott’s recent prequels, there has been a palpable longing among fans for a return to the series’ more chilling and straightforward narrative style.
In “The Last Voyage of the Demeter,” directed by André Øvredal, the narrative unfurls under an umbrella of fatalism. The film strategically begins at its end, with the ship Demeter wrecked on the shores of Whitby and no souls remaining among her crew. This grim start sets an ominous tone, instilling a sense of dread